国际机场“加加林”
艺术博览会
2020 俄罗斯萨拉托夫的加加林国际机场
一个 30 米长的水平 LED 面板，带有六个动画视频，引起敬畏、好奇、迷恋和宇宙般的宁静感——一直在等待登记。
俄罗斯萨拉托夫的加加林国际机场是在一片开阔的土地上从头开始建造的，并于 2019 年 9 月投入运营，并设有永久性互动展览。客户发起该项目是为了提供一流的乘客体验：在乘客乘坐飞机的同时为他们提供娱乐、教育和娱乐等待航班。七个装置触发所有感官并创造真正身临其境的体验——任何游客都像加加林一样成为准备起飞的探险家。
Gagarin International Airport in Saratov, Russia was built from scratch in an open field and put into operation in September 2019 featuring а permanent interactive exhibition.The client initiated the project to provide a superb passenger experience: amusing, educating and entertaining passengers while they’re waiting for flights. Seven installations trigger all senses and create truly immersive experience—any visitor becomes an explorer prepared to take a flight just like Gagarin did.
一座 18 米高的石碑，带有动感立面，动态变化，将其从静止的巨石转变为不断移动的表面。
交互式面板让游客可以探索早期的太空项目、玩关于太空预测的游戏、浏览 1960 年代的杂志和电影等等。
12 个桌子部分均采用铝制外壳；这种均匀性使它看起来像一个整体..
正是在萨拉托夫地区，第一个进入太空的人尤里·加加林 (Yuri Gagarin) 学会了如何驾驶飞机，并于 1961 年 4 月 12 日进行了第一次太空飞行后降落在那里。因此，加加林被认为是全球英雄和当地英雄对于萨拉托夫地区的公民。互动和展示解释了与现场的联系，并突出了加加林在更广泛的世界太空探索背景下的作用。这些装置沿着乘客的路线分布，并在不干扰交通的情况下融入室内。多媒体和模拟作品的设计向 20 世纪 50 至 60 年代的图形致敬，但重新思考其形状、颜色和技术。
It was the Saratov region where Yuri Gagarin, the first man in space, learned how to pilot a plane and where he landed after the very first space flight on April, 12 1961. Thus, Gagarin is considered to be either a global and local hero for the citizens of the Saratov region. The interactives and displays explain the link to the locale and highlights Gagarin’s role in the broader context of world space exploration. The installations are distributed along passenger's route and integrated into the interiors without disturbing the flow. The design of multimedia and analog pieces pays tribute to the graphics of the1950-60s, but rethink its shapes, colors and techniques.
选择了发布前长达两个小时的聊天中有趣、感人和激动人心的时刻。简约的设计和先进的 LED 面板赋予它优雅和未来主义的外观。
一个巨大的屏幕在主门厅的中庭欢迎游客。其充满活力的抽象动画内容描绘了空间物体缓慢的冥想运动，探索了光和尺度的细微差别，并介绍了“太空人”作为孤独的梦想家和无所畏惧的探索者的想法。
加加林机场的数字展览致力于与太空探索相关的未来项目——其中一些是乌托邦式的，一些被证明是真实的，一些先于或预见到加加林的飞行，另一些则源于它。在 30 米长的展览台上，游客们回顾了太空飞行和宇宙飞船的想法是如何首先出现在精英思想家和前卫艺术家群体的思想和项目中的，这些思想家和前卫艺术家现在被称为影响流行文化的复古未来主义者。
A huge screen welcomes visitors at the atrium of the main foyer. Its vibrant abstract animated content depicts slow meditative movement of space bodies, explores the nuances of light and scales, and introduces the idea of a "man in space" as a lonely dreamer and a fearless explorer.
The digital exposition in Gagarin Airport is devoted to the projects of the future connected to space exploration—some of them were utopian, some proved real, some preceded or foreseen Gagarin’s flight, others were derived from it. On the 30-meter expo table travelers review how ideas of space flights and spaceships first came in the minds and projects of the elite group of thinkers and avant-garde artists now known as retro-futurists who influenced popular culture.
在抵达区的玻璃墙上，讲述了萨拉托夫背景下的太空探索故事。
另一个装置使用 AR 结合面部跟踪技术，让乘客有机会虚拟地“试穿”宇航服并进行太空行走。旅行者可以通过内置终端将他们在外太空的自拍通过电子邮件发送给任何人。
通往飞机的走廊是沉浸式体验的高潮。乘客穿过五个拱门，上面有尤里·加加林 (Yuri Gagarin) 和太空工程师谢尔盖·科罗廖夫 (Sergey Korolev) 在发射前和加加林离开雷达之前的对话记录和录音。
数字艺术和互动可以引发强烈的情感体验，特别是对于那些不希望在机场看到它的人。通过加加林项目，设计团队在全球范围内讲述萨拉托夫地区的故事，唤醒人们对地方的自豪感。
该团队为将浪漫和兴奋的感觉带回航空旅行而感到自豪——随着飞行成为例行公事而失去的感觉。叙述揭示了这 108 分钟如何影响全世界人们梦想、幻想以及与地球、宇宙和未来相关的方式。
Another installation uses AR combined with face-tracking technology to give passengers an opportunity to virtually “try on” a space suit and have a spacewalk. Travelers can email their selfies in the outer space to anyone from the inbuilt terminal.
The corridors leading to the plane are the culmination of the immersive experience. Passengers walk through five archways with running transcripts and recordings of the conversation Yuri Gagarin and space engineer Sergey Korolev were having prior to the launch and until Gagarin went off the radar.
Digital art and interactives can elicit a strong emotional experience, especially for people who aren't expecting it at the airport. With the Gagarin project the design team tells the story of the Saratov region in the global context and awakens people’s pride of place.
The team was proud to bring a sense of romance, excitement back into air travel—the sensations it lost as flights became routine. The narrative reveals how those 108-minutes affected the way people all over the world dreamt, fantasied and related to the earth, the universe, and the future.
DESIGN
Radugadesign，Ars Nova
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